<?xml version="1.0" encoding="utf-8" standalone="yes"?><rss version="2.0" xmlns:atom="http://www.w3.org/2005/Atom"><channel><title>dhruv</title><link>https://dhruvc.com/</link><description>Recent content on dhruv</description><generator>Hugo</generator><language>en-gb</language><lastBuildDate>Fri, 17 Jul 2026 00:00:00 +0000</lastBuildDate><atom:link href="https://dhruvc.com/index.xml" rel="self" type="application/rss+xml"/><item><title>Music</title><link>https://dhruvc.com/music/</link><pubDate>Fri, 17 Jul 2026 00:00:00 +0000</pubDate><guid>https://dhruvc.com/music/</guid><description>&lt;p&gt;I like playing in loops: record a phrase, let the tape wear it down, play along with what comes back. most of it starts on the &lt;button type="button" class="mn" aria-describedby="mnote-music-0" aria-expanded="false"&gt;four-track&lt;/button&gt;&lt;span class="mnote" id="mnote-music-0" role="note"&gt;&lt;svg width="56" height="40" viewBox="0 0 56 40" aria-hidden="true"&gt;&lt;path d="M8 32 C4 14 16 4 28 8 C42 13 50 24 44 32 M18 22 a9 9 0 1 0 18 0 a9 9 0 1 0 -18 0" fill="none" stroke="currentColor" stroke-width="1.6" stroke-linecap="round"/&gt;&lt;/svg&gt;the same one from the homepage. it wobbles, so everything recorded on it wobbles too&lt;/span&gt;.&lt;/p&gt;</description></item><item><title>Photos</title><link>https://dhruvc.com/photos/</link><pubDate>Fri, 17 Jul 2026 00:00:00 +0000</pubDate><guid>https://dhruvc.com/photos/</guid><description/></item><item><title>Books</title><link>https://dhruvc.com/bookshelf/</link><pubDate>Mon, 01 Jun 2026 00:00:00 +0000</pubDate><guid>https://dhruvc.com/bookshelf/</guid><description>&lt;h2 id="currently-reading"&gt;Currently Reading&lt;/h2&gt;
&lt;p&gt;I get excited about a lot of books - am often juggling a few.&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;&lt;em&gt;Effortless Mastery&lt;/em&gt; by Kenny Werner &lt;em&gt;(music)&lt;/em&gt;&lt;/li&gt;
&lt;li&gt;&lt;em&gt;Seeing that Frees&lt;/em&gt; by Rob Burbea &lt;em&gt;(life)&lt;/em&gt;&lt;/li&gt;
&lt;li&gt;&lt;em&gt;No Bad Parts&lt;/em&gt; by Richard C Schwartz &lt;em&gt;(life)&lt;/em&gt;&lt;/li&gt;
&lt;/ul&gt;
&lt;h2 id="anti-library"&gt;Anti-Library&lt;/h2&gt;
&lt;details&gt;
 &lt;summary&gt;What&amp;rsquo;s an anti-library?&lt;/summary&gt;
 &lt;div class="details-content"&gt;I like thinking about an anti-library as &amp;ldquo;tsundoku&amp;rdquo; (積ん読) - the phenomenon of acquiring reading materials but letting them pile up in one&amp;rsquo;s home without reading them. The term is also used to refer to unread books on a bookshelf meant for reading later. (wikipedia)&lt;/div&gt;
&lt;/details&gt;
&lt;ul&gt;
&lt;li&gt;&lt;em&gt;A Pattern Language&lt;/em&gt; - Christopher Alexander&lt;/li&gt;
&lt;li&gt;&lt;em&gt;Finite and Infinite Games&lt;/em&gt; - James Carse&lt;/li&gt;
&lt;/ul&gt;
&lt;hr&gt;
&lt;h2 id="books-read"&gt;Books Read&lt;/h2&gt;
&lt;h3 id="july-2026"&gt;July 2026&lt;/h3&gt;
&lt;ul&gt;
&lt;li&gt;&lt;em&gt;The Paper Menagerie&lt;/em&gt; by Ken Liu&lt;/li&gt;
&lt;/ul&gt;
&lt;h3 id="june-2026"&gt;June 2026&lt;/h3&gt;
&lt;ul&gt;
&lt;li&gt;&lt;em&gt;This Is for Everyone&lt;/em&gt; by Tim Berners-Lee&lt;/li&gt;
&lt;li&gt;&lt;em&gt;Leonard and Hungry Paul&lt;/em&gt; by Rónán Hession&lt;/li&gt;
&lt;li&gt;&lt;button type="button" class="mn" aria-describedby="mnote-bookshelf-1" aria-expanded="false"&gt;&lt;em&gt;Around the Table&lt;/em&gt; by Diana Henry&lt;/button&gt;&lt;span class="mnote" id="mnote-bookshelf-1" role="note"&gt;&lt;svg width="62" height="30" viewBox="0 0 62 30" aria-hidden="true"&gt;&lt;path d="M6 24 q8-16 16-7 q6 7 12-4 q6-9 14 1 q4 5 8 1" fill="none" stroke="currentColor" stroke-width="1.6" stroke-linecap="round"/&gt;&lt;/svg&gt;thanks ev!&lt;/span&gt;&lt;/li&gt;
&lt;/ul&gt;
&lt;h3 id="may-2026"&gt;May 2026&lt;/h3&gt;
&lt;ul&gt;
&lt;li&gt;&lt;em&gt;The Healing Hippo Of Hinode Park&lt;/em&gt; by Michiko Aoyama (translated by Takami Nieda)&lt;/li&gt;
&lt;li&gt;&lt;em&gt;Piranesi&lt;/em&gt; by Susanna Clarke&lt;/li&gt;
&lt;li&gt;&lt;em&gt;A Modern Way to Live&lt;/em&gt; by Matt Gibberd&lt;/li&gt;
&lt;li&gt;&lt;em&gt;Drawing Expressive People&lt;/em&gt; by Róisín Curé&lt;/li&gt;
&lt;/ul&gt;
&lt;h3 id="march-2026"&gt;March 2026&lt;/h3&gt;
&lt;ul&gt;
&lt;li&gt;&lt;em&gt;Uneasy Money&lt;/em&gt; by PG Wodehouse&lt;/li&gt;
&lt;li&gt;&lt;em&gt;Something New&lt;/em&gt; by PG Wodehouse&lt;/li&gt;
&lt;/ul&gt;
&lt;h3 id="feburary-2026"&gt;Feburary 2026&lt;/h3&gt;
&lt;ul&gt;
&lt;li&gt;&lt;em&gt;The Farthest Shore&lt;/em&gt; by Ursula K LeGuin&lt;/li&gt;
&lt;li&gt;&lt;em&gt;The Tombs of Atuan&lt;/em&gt; by Ursula K LeGuin&lt;/li&gt;
&lt;li&gt;&lt;em&gt;A Wizard of Earthsea&lt;/em&gt; by Ursula K LeGuin&lt;/li&gt;
&lt;li&gt;&lt;em&gt;The Wind&amp;rsquo;s Twelve Quarters&lt;/em&gt; by Ursula K LeGuin&lt;/li&gt;
&lt;li&gt;&lt;em&gt;The Lathe of Heaven&lt;/em&gt; by Ursula K LeGuin&lt;/li&gt;
&lt;/ul&gt;
&lt;h3 id="january-2026"&gt;January 2026&lt;/h3&gt;
&lt;ul&gt;
&lt;li&gt;&lt;em&gt;Gilgamesh&lt;/em&gt; by Stephen Mitchell&lt;/li&gt;
&lt;/ul&gt;
&lt;h3 id="december-2025"&gt;December 2025&lt;/h3&gt;
&lt;ul&gt;
&lt;li&gt;&lt;em&gt;On Modern Art&lt;/em&gt; by Paul Klee&lt;/li&gt;
&lt;li&gt;&lt;em&gt;Zoo of the New&lt;/em&gt; by Various&lt;/li&gt;
&lt;li&gt;*Modern Japanese prints 1912-1989 * by Lawrence Smith&lt;/li&gt;
&lt;/ul&gt;
&lt;h3 id="november-2025"&gt;November 2025&lt;/h3&gt;
&lt;ul&gt;
&lt;li&gt;&lt;em&gt;My Year with Swollen Appendices&lt;/em&gt; by Brian Eno&lt;/li&gt;
&lt;/ul&gt;
&lt;h3 id="october-2025"&gt;October 2025&lt;/h3&gt;
&lt;ul&gt;
&lt;li&gt;&lt;em&gt;Zen Guitar&lt;/em&gt; by Philip Toshio Sudo&lt;/li&gt;
&lt;/ul&gt;
&lt;h3 id="september-2025"&gt;September 2025&lt;/h3&gt;
&lt;ul&gt;
&lt;li&gt;&lt;em&gt;The Left Hand of Darkness&lt;/em&gt; by Ursula K LeGuin&lt;/li&gt;
&lt;li&gt;&lt;em&gt;Salt, Fat, Acid, Heat&lt;/em&gt; by Samin Nosrat&lt;/li&gt;
&lt;li&gt;&lt;em&gt;Children of Time&lt;/em&gt; by Adrian Tchaikovsky&lt;/li&gt;
&lt;/ul&gt;
&lt;h3 id="august-2025"&gt;August 2025&lt;/h3&gt;
&lt;ul&gt;
&lt;li&gt;&lt;em&gt;Psmith in the City&lt;/em&gt; by PG Wodehouse&lt;/li&gt;
&lt;/ul&gt;
&lt;h3 id="july-2025"&gt;July 2025&lt;/h3&gt;
&lt;ul&gt;
&lt;li&gt;&lt;em&gt;Mike&lt;/em&gt; by PG Wodehouse&lt;/li&gt;
&lt;li&gt;&lt;em&gt;Musicophilia&lt;/em&gt; by Oliver Sacks&lt;/li&gt;
&lt;/ul&gt;
&lt;h3 id="june-2025"&gt;June 2025&lt;/h3&gt;
&lt;ul&gt;
&lt;li&gt;&lt;em&gt;Childhood’s End&lt;/em&gt; by Arthur C. Clarke&lt;/li&gt;
&lt;li&gt;&lt;em&gt;Listen to This If You Like Great Music&lt;/em&gt; by Robin Murray&lt;/li&gt;
&lt;li&gt;&lt;em&gt;What Art Does&lt;/em&gt; by Bette Adriaanse and Brian Eno&lt;/li&gt;
&lt;/ul&gt;
&lt;h3 id="may-2025"&gt;May 2025&lt;/h3&gt;
&lt;ul&gt;
&lt;li&gt;&lt;em&gt;A Pebble in Your Pocket&lt;/em&gt; by Thich Nhat Hanh&lt;/li&gt;
&lt;li&gt;&lt;em&gt;Be in Balance&lt;/em&gt; by Angela Bradshaw&lt;/li&gt;
&lt;li&gt;&lt;em&gt;Buddhism Beyond Beliefs&lt;/em&gt; by Stephen Batchelor&lt;/li&gt;
&lt;li&gt;&lt;em&gt;Mood Machine&lt;/em&gt; by Liz Pelly&lt;/li&gt;
&lt;li&gt;&lt;em&gt;Steal Like an Artist&lt;/em&gt; by Austin Kleon&lt;/li&gt;
&lt;li&gt;&lt;em&gt;The Tao of Pooh&lt;/em&gt; by Benjamin Hoff&lt;/li&gt;
&lt;/ul&gt;
&lt;h3 id="march-2025"&gt;March 2025&lt;/h3&gt;
&lt;ul&gt;
&lt;li&gt;&lt;em&gt;Seveneves&lt;/em&gt; by Neal Stephenson&lt;/li&gt;
&lt;li&gt;&lt;em&gt;What Artists Wear&lt;/em&gt; by Charlie Porter&lt;/li&gt;
&lt;/ul&gt;
&lt;h3 id="february-2025"&gt;February 2025&lt;/h3&gt;
&lt;ul&gt;
&lt;li&gt;&lt;em&gt;The Music Lesson&lt;/em&gt; by Victor Wooten&lt;/li&gt;
&lt;li&gt;&lt;em&gt;Pat Metheny Interviews&lt;/em&gt; by Richard Niles&lt;/li&gt;
&lt;/ul&gt;
&lt;h3 id="december-2024"&gt;December 2024&lt;/h3&gt;
&lt;ul&gt;
&lt;li&gt;&lt;em&gt;Brideshead Revisited&lt;/em&gt; by Evelyn Waugh&lt;/li&gt;
&lt;li&gt;&lt;em&gt;The Unbearable Lightness of Being&lt;/em&gt; by Milan Kundera&lt;/li&gt;
&lt;/ul&gt;
&lt;h3 id="november-2024"&gt;November 2024&lt;/h3&gt;
&lt;ul&gt;
&lt;li&gt;&lt;em&gt;Broken Music&lt;/em&gt; by Sting&lt;/li&gt;
&lt;li&gt;&lt;em&gt;Ringworld&lt;/em&gt; by Larry Niven&lt;/li&gt;
&lt;/ul&gt;
&lt;h3 id="october-2024"&gt;October 2024&lt;/h3&gt;
&lt;ul&gt;
&lt;li&gt;&lt;em&gt;Snow Crash&lt;/em&gt; by Neal Stephenson&lt;/li&gt;
&lt;/ul&gt;
&lt;h3 id="september-2024"&gt;September 2024&lt;/h3&gt;
&lt;ul&gt;
&lt;li&gt;&lt;em&gt;A Wrinkle in Time&lt;/em&gt; by Madeleine L’Engle&lt;/li&gt;
&lt;li&gt;&lt;em&gt;The Dispossessed&lt;/em&gt; by Ursula K. Le Guin&lt;/li&gt;
&lt;/ul&gt;
&lt;h3 id="july-2024"&gt;July 2024&lt;/h3&gt;
&lt;ul&gt;
&lt;li&gt;&lt;em&gt;Miles Davis: The Definitive Biography&lt;/em&gt; by Ian Carr&lt;/li&gt;
&lt;/ul&gt;
&lt;h3 id="april-2024"&gt;April 2024&lt;/h3&gt;
&lt;ul&gt;
&lt;li&gt;&lt;em&gt;I, Claudius&lt;/em&gt; by Robert Graves&lt;/li&gt;
&lt;li&gt;&lt;em&gt;Exhalation&lt;/em&gt; by Ted Chiang&lt;/li&gt;
&lt;/ul&gt;
&lt;h3 id="march-2024"&gt;March 2024&lt;/h3&gt;
&lt;ul&gt;
&lt;li&gt;&lt;em&gt;Rendezvous with Rama&lt;/em&gt; by Arthur C. Clarke&lt;/li&gt;
&lt;li&gt;&lt;em&gt;Don Quixote&lt;/em&gt; by Miguel de Cervantes&lt;/li&gt;
&lt;li&gt;&lt;em&gt;Classic FM Guide to Classical Music&lt;/em&gt; by Darren Henley&lt;/li&gt;
&lt;li&gt;&lt;em&gt;Dune&lt;/em&gt; by Frank Herbert&lt;/li&gt;
&lt;/ul&gt;
&lt;hr&gt;
&lt;h3 id="forever-books"&gt;Forever Books&lt;/h3&gt;
&lt;ul&gt;
&lt;li&gt;&lt;em&gt;Seeing that Frees&lt;/em&gt; by Rob Burbea&lt;/li&gt;
&lt;li&gt;&lt;em&gt;The Advancing Guitarist&lt;/em&gt; by Mick Goodrick&lt;/li&gt;
&lt;li&gt;&lt;em&gt;The Timeless Way of Building&lt;/em&gt; by Christopher Alexander&lt;/li&gt;
&lt;/ul&gt;</description></item><item><title>Inspiration</title><link>https://dhruvc.com/inspiration/</link><pubDate>Mon, 14 Jul 2025 00:00:00 +0000</pubDate><guid>https://dhruvc.com/inspiration/</guid><description>&lt;p&gt;Here are some things that I&amp;rsquo;m currently enjoying exploring:&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;the ideas in &lt;a href="https://www.amazon.com/Music-Mind-Karl-Berger/dp/0300229505"&gt;The Music Mind&lt;/a&gt; by Karl Berger&lt;/li&gt;
&lt;li&gt;Paul Motian&amp;rsquo;s &amp;ldquo;Bill Evans&amp;rdquo; album, featuring:
&lt;ul&gt;
&lt;li&gt;Bill Frisell&lt;/li&gt;
&lt;li&gt;Scott LaFaro&lt;/li&gt;
&lt;li&gt;Joe Levano&lt;/li&gt;
&lt;li&gt;Marc Johnson&lt;/li&gt;
&lt;/ul&gt;
&lt;/li&gt;
&lt;li&gt;&lt;a href="https://www.scientificamerican.com/article/metamagical-themas-1982-04/"&gt;this&lt;/a&gt; article about Chopin&amp;rsquo;s music from Douglas Hofstadter&amp;rsquo;s book &amp;ldquo;Metamagical Themas&amp;rdquo;&lt;/li&gt;
&lt;li&gt;contemplations on perception / emptiness from Rob Burbea&amp;rsquo;s book &amp;ldquo;Seeing that Frees&amp;rdquo;&lt;/li&gt;
&lt;li&gt;&lt;a href="https://thecreativeindependent.com/people/producer-and-multi-instrumentalist-bibio-on-managing-expectations/"&gt;some&lt;/a&gt; recent interviews with the musician Bibio&lt;/li&gt;
&lt;/ul&gt;</description></item><item><title>Where Everything is Music</title><link>https://dhruvc.com/projects/where-everything-is-music/</link><pubDate>Thu, 01 May 2025 00:00:00 +0000</pubDate><guid>https://dhruvc.com/projects/where-everything-is-music/</guid><description>&lt;h2 id="overview"&gt;Overview&lt;/h2&gt;
&lt;p&gt;Where Everything is Music is an experiment in interaction with musical lineage.&lt;/p&gt;
&lt;figure class="image-figure " data-loading="true"&gt;
 &lt;div class="progressive-image-wrapper" data-has-resource="false"&gt;
 &lt;div class="skeleton-loader"&gt;
 &lt;div class="skeleton-shimmer"&gt;&lt;/div&gt;
 &lt;div class="skeleton-content"&gt;
 &lt;div class="skeleton-lines"&gt;
 &lt;div class="skeleton-line skeleton-line-1"&gt;&lt;/div&gt;
 &lt;div class="skeleton-line skeleton-line-2"&gt;&lt;/div&gt;
 &lt;div class="skeleton-line skeleton-line-3"&gt;&lt;/div&gt;
 &lt;/div&gt;
 &lt;div class="skeleton-pulse"&gt;&lt;/div&gt;
 &lt;/div&gt;
 &lt;/div&gt;

 &lt;img
 class="main-image" loading="lazy"
 src="https://dhruvc.com/images/weim/weim-ps-1.jpg"
 alt="Product demonstration of where everything is music"
 &gt;&lt;/div&gt;&lt;figcaption class="image-caption"&gt;photo credits Sham Ahmed&lt;/figcaption&gt;&lt;/figure&gt;

&lt;p&gt;It was created out of a manifold desire to encourage curiosity into both music itself, and how music, and its lineage can sometimes be used as a lens to explore cultural history, and the complex ways in which geographies are woven together.&lt;/p&gt;</description></item><item><title>Thoughts on Bench</title><link>https://dhruvc.com/projects/thoughts-on-bench/</link><pubDate>Sun, 01 Sep 2024 00:00:00 +0000</pubDate><guid>https://dhruvc.com/projects/thoughts-on-bench/</guid><description>&lt;h2 id="overview"&gt;Overview&lt;/h2&gt;
&lt;p&gt;&lt;em&gt;How does your bench, where you stop and contemplate, see the world?&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;Thoughts on Bench is an interactive experience we created that encourages contemplation and conversation with a sentient bench.&lt;/p&gt;
&lt;div style="position: relative; padding-bottom: 56.25%; height: 0; overflow: hidden;"&gt;
			&lt;iframe allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share; fullscreen" loading="eager" referrerpolicy="strict-origin-when-cross-origin" src="https://www.youtube.com/embed/TpwuwCNEPb0?autoplay=0&amp;amp;controls=1&amp;amp;end=0&amp;amp;loop=0&amp;amp;mute=0&amp;amp;start=0" style="position: absolute; top: 0; left: 0; width: 100%; height: 100%; border:0;" title="YouTube video"&gt;&lt;/iframe&gt;
		&lt;/div&gt;

&lt;p&gt;The experience involved people entering a calm space, where a bench was placed overlooking the Bristol Harbourside. They were encouraged to take some time to pause, after which they were asked a series of questions from the perspective of the bench - all of which are intended to offer investigation and insight into an &amp;lsquo;other&amp;rsquo; way of perceiving and being.&lt;/p&gt;</description></item><item><title>Distortions 🧠</title><link>https://dhruvc.com/projects/distortions/</link><pubDate>Thu, 17 Mar 2022 00:00:00 +0000</pubDate><guid>https://dhruvc.com/projects/distortions/</guid><description>&lt;p&gt;See the app &lt;a href="https://distortions.dhruvc.com/"&gt;here&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;Distortions is a mental health web-app visualising some of the most common cognitive distortions, and how to help break their hold. It illustrates these by giving a description of the distortion, and then outlining a real world example of when this distortion may occur.&lt;/p&gt;
&lt;h2 id="about-cognitive-distortions"&gt;About Cognitive Distortions&lt;/h2&gt;
&lt;p&gt;Cognitive distortions are systematic patterns of thinking that can lead to negative emotions and behaviors. These automatic thought patterns often occur without conscious awareness and can significantly impact mental well-being.&lt;/p&gt;</description></item><item><title>Searching for the Perfect Instrument 🔎</title><link>https://dhruvc.com/projects/searching-for-the-perfect-instrument/</link><pubDate>Tue, 01 Sep 2020 00:00:00 +0000</pubDate><guid>https://dhruvc.com/projects/searching-for-the-perfect-instrument/</guid><description>&lt;p&gt;This project (REVOLVE) is, and extends upon, my master&amp;rsquo;s thesis, revolving around the use of user-centric genetic algorithms in virtual reality as a means of exploring musical instrument / interaction design space.&lt;/p&gt;
&lt;div style="position: relative; padding-bottom: 56.25%; height: 0; overflow: hidden;"&gt;
			&lt;iframe allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share; fullscreen" loading="eager" referrerpolicy="strict-origin-when-cross-origin" src="https://www.youtube.com/embed/1D4DNJABxw0?autoplay=0&amp;amp;controls=1&amp;amp;end=0&amp;amp;loop=0&amp;amp;mute=0&amp;amp;start=0" style="position: absolute; top: 0; left: 0; width: 100%; height: 100%; border:0;" title="YouTube video"&gt;&lt;/iframe&gt;
		&lt;/div&gt;

&lt;h2 id="the-concept"&gt;The Concept&lt;/h2&gt;
&lt;p&gt;In simpler terms, this project / experience would randomly create mappings between a virtual reality object, and a simple subtractive synthesizer, forming different links between virtual reality interactions (such as velocity, elevation, rotation etc.) and the inputs to the synthesizer (ASDR envelope levels, pitch, volume etc.).&lt;/p&gt;</description></item><item><title>Senior Full-Stack Contract Engineer | Dhruv Chauhan</title><link>https://dhruvc.com/contract/</link><pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate><guid>https://dhruvc.com/contract/</guid><description/></item></channel></rss>